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addicts do recover
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Obama
I've been reading Barack Obama's first book "Dreams from my Father". He writes in some detail about a period during high school when he was regularly using drugs: - Dreams from my Father, pages 93-94 - "I had learned not to care. I blew a few smoke rings remembering those years. Pot had helped, and booze, maybe a little blow when you could afford it. Not smack though. Junkie. Pothead That's where I'd been headed: the final, fatal role of the young would-be black man. Except the highs hadn't been about that, me trying to prove what a down brother I was. Not by then anyway. I got high for just the opposite effect, something that could push questions of who I was out of my mind, something that could flatten out the landscape of my heart, blur the edges of my memory. I had discovered that it didn't make any difference whether you smoked reefer in the white classmate's sparkling new van or in the dorm room of some brother you'd met down at the gym, or on the beach with a couple of Hawaiin kids who had dropped out of school and now spent most of their time looking for an excuse to brawl. Nobody asked you whether your father was a fat-cat executive who cheated on his wife or some laid-off joe who slapped you around whenever he bothered to come home. You might just be bored or alone. Everybody was welcome into the club of disaffection. And if the high didn't solve whatever it was that was getting you down, it could at least help you laugh at the world's ongoing folly and see through all the hypocrisy and bullshit and cheap moralism." -Barack Obama, 1995 |
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From left, Dustin Hoffman in “The Graduate”; “In the Heat of the Night,” with Sidney Poitier and a u
From left, Dustin Hoffman in “The Graduate”; “In the Heat of the Night,” with Sidney Poitier and a uniformed Rod Steiger; Faye Dunaway in “Bonnie and Clyde”; Rex Harrison in “Dr. Doolittle”; Mr. Poitier in “Guess Who’s Coming to Dinner.” ![]() galvanizing admiration for the French New Wave. |
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Paul Krugman on the Democratic Campaign--NYTimes 2/11/08
February 11, 2008 Op-Ed Columnist Hate Springs Eternal By PAUL KRUGMAN In 1956 Adlai Stevenson, running against Dwight Eisenhower, tried to make the political style of his opponent's vice president, a man by the name of Richard Nixon, an issue. The nation, he warned, was in danger of becoming "a land of slander and scare; the land of sly innuendo, the poison pen, the anonymous phone call and hustling, pushing, shoving; the land of smash and grab and anything to win. This is Nixonland." The quote comes from "Nixonland," a soon-to-be-published political history of the years from 1964 to 1972 written by Rick Perlstein, the author of "Before the Storm." As Mr. Perlstein shows, Stevenson warned in vain: during those years America did indeed become the land of slander and scare, of the politics of hatred. And it still is. In fact, these days even the Democratic Party seems to be turning into Nixonland. The bitterness of the fight for the Democratic nomination is, on the face of it, bizarre. Both candidates still standing are smart and appealing. Both have progressive agendas (although I believe that Hillary Clinton is more serious about achieving universal health care, and that Barack Obama has staked out positions that will undermine his own efforts). Both have broad support among the party's grass roots and are favorably viewed by Democratic voters. Supporters of each candidate should have no trouble rallying behind the other if he or she gets the nod. ( Read more... ) |
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February 26 Empire Salon Reminder
A Reminder .... Please join us for an Empire Salon featuring a rare opportunity to discuss with William R. Polk his book Violent Politics: A History of Insurgency, Terrorism & Guerrilla War (Please see attached outstanding book review) Tuesday, February 26, 2008 6:30 p.m. 1785 Massachusetts Avenue, Suite 100 (one block off Dupont Circle) Cocktails and Hors D'ouevres served If you have not already done so, please RSVP to Lisa Nitze at William R. Polk studied at Harvard (BA 1951, PhD 1958) and Oxford (BA In 1965, he resigned from government service to become Professor of Among his books on history, world affairs and the Middle East are The He has lectured at many universities and at the U.S. National War |
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Miller in Man Ray’s “La Révolution Surréaliste,
Exposed January 21, 2008 In this issue of the magazine, Judith Thurman writes about Lee Miller, the playgirl, model, photographer, muse, and war correspondent whose work is featured in a retrospective, “The Art of Lee Miller,” which opens on January 26th at the Philadelphia Museum of Art. “She had the gift of finding beauty in a wasteland, and her eye tends to petrify what it looks at,” Thurman writes. “Organic forms and living creatures become abstract in her pictures, but movingly so—the way a nymph fleeing an aggressor is transformed into a star.” Here is a portfolio of Miller’s work in front of and behind the camera. ![]() ![]() Lee Miller with Rolleiflex,” Egypt, 1935. ![]() “Picnic: Nusch and Paul Éluard, Roland Penrose, Man Ray, and Ady Fidelin,” © 2008 Lee Miller Archives, England, All rights reserved |
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