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February 17th, 2006

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Paul Jaffe
Dear friends,

I just published an update to my website. Take a look!

Kind regards,

Paul Jaffe

Main Page:
Black & White Gallery

New Pages:
Black & White Gallery


If ya don't want to be on my email list just let me know !

Paul Jaffe Photographer / Artist

9186 Landgreen Street
Manassas, Virginia, 20110

Cell: (703) 409-4531
Home: (703) 335-5726


Volunteer  
American Red Cross 
Prince William County Chapter

Stonewall Jackson fire & Rescue / Co 11
E mergency Medical Technician

Emergency Room Tech / Fair Oaks Hospital

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A massive cover-up has been conducted concerning the shooting.
http://infowars.com/video/clips/ballistics_test/qt_mdm_universe.htm

Video report on ballistics test suggests Cheney cover-up
Infowars.com's Alex Jones has a 10-minute video report including a birdshot ballistics test that he says points to a cover-up in the Cheney shooting incident.
Harry Whittington was shot at close range, between 15 and 18 feet, not the 90 claimed by Dick Cheney and the Secret Service. It is now clear why they refused to let Sherriff's Deputies interview Cheney for over 13 hours and why they claimed that Whittington's injuries were superficial when in truth they were grevious.
The mainstream media is ignoring this literal smoking gun evidence. Anytime they wish, the local police can conduct their own ballistics tests and they will have the exact same findings. The media can conduct their own tests. The ballistics of shotguns and birdshot is well known to tens of millions of Americans who hunt fowl.

We have now scientifically proven with an engineer and a police officer on-site conducting the test that the American people are being lied to and a cover-up is in progress.

Link

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Artificiality is its reality. Paradox and indirection are its forms of truth-telling.
February 17, 2006
Photography Review | Hiroshi Sugimoto
A World Where Life Can Seem to Imitate an Imitation
By HOLLAND COTTER
Washington — Hiroshi Sugimoto, the celebrated Japanese-born photographer, designed the installation for his own retrospective at the Hirshhorn Museum and Sculpture Garden here, and it is inspired. The first half of the show is light, cool and stylishly sparse. The second half seems dusky and cushioned, as if it were set in a temple or a spacecraft, with pictures shining like windows in the dark. Read more... )
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